Sarah Orne Jewett House

The Template Parlor

Image of a parlor with a red sofa on the left and a small, elaborate yellow-tiled fireplace to the right on an angled wall. The fireplace opening is circular, and the mantel is supported by elaborately-carved wooden columns. The walls are hung with photographs and paintings.

A Template Gathering Space

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Making a Template Visible

Template and the Template Project

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Template Dumbwaiter

A dumbwaiter was included in the china closet so that food could easily be sent from the kitchen upstairs to the night nursery where the three Eustis children took many of their meals.

Template Elevator

The builders’ plans for the mansion indicate that was originally an elevator installed in the house, which would have been a simple cab that was used primarily for wood. An electric sawmill in the basement was used to cut wood to the proper size. The current elevator cab was upgraded in the early twentieth century.

Template Safe

This safe is located in the China Closet and would have housed the family silver and other valuable pieces. When the outermost door is closed it appears to hide a regular closet, but when opened reveals two different doors sets that lie beneath. The first is a faux wood grained metal door that locks with a key, and the second is a set of double metal doors, also faux wood grained, that open with a knob.

Template Telephone Room

This telephone room was installed after the house’s initial construction when the Eustises replaced the Western Electric telephone that had been installed closer to the front door. As telephone conversations became more commonplace, the need for privacy prompted the addition of this tiny room.

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Historic Paint Cross Section

Template Uncovering the Original Paint

In order to discover the original paint of the hall, a deep chip was removed from the wall and its cross section examined through a microscope, revealing each layer of paint. In this cross section from the hall, four individual layers of red paint were used to create the original wall treatment, followed by a single layer of modern white paint. The four original paint layers contained hand-ground pigments of various sizes, creating a depth in the color that was more like canvas painting than modern wall painting. As part of the restoration of the Eustis mansion, Historic New England hired specialized decorative painters to recreate the four layers of red in the hallway, restoring it to the original Pompeiian red.

Base layer of red paint.

Second layer of red paint.

Third layer of red paint.

Top layer of red varnish.

Modern white latex paint, now painted over.

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Template Small Parlor Classical Print

In the nineteenth century famous paintings were often copied as prints and circulated to a mass audience. This is a lithograph after the British artist Lawrence Alma-Tadema’s painting completed in 1885 and now in the collection of the Philadelphia Museum of Art. Alma-Tameda’s career spanned more than sixty years during which he focused almost exclusively on classical scenes like this one, imagining the people and their surroundings in minute detail. It’s the attention to detail that appealed to proponents of the Aesthetic Movement who were deeply concerned with the artfulness of day-to-day objects.